by James Hansen
This piece was originally published in Dirty Looks 3.3 "Tom Rhoads: 3 Films" as part of a screening which took place at The Kitchen in New York, NY on March 26, 2013. (http://dirtylooksnyc.org/pages/rhoads.html) Thanks to Bradford Nordeen for the opportunity.
Tom Rhoads was a gentle, tortured soul. In the words of Luther Price, he was “a nice guy who would buy you an ice cream cone.” Nonetheless, watching the 8mm films of Tom Rhoads, one has to wonder how long he stood still in the sun, gripping the ice cream cone with a crooked smile on his face, anticipating the arrival of someone – anyone – so that they can finally pry the melting treat from his hand. The tender films appear as unearthed, forgotten time capsules. Intensely personal and deeply felt, they reveal unknown subjects lost in time, waiting on life or death or both.
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Saturday, March 30, 2013
Saturday, March 23, 2013
Leviathan (Lucien Castaing-Taylor and Verena Paravel)
by James Hansen
It is practically useless to describe Lucien Castaing-Taylor and Verena Paravel’s experiential documentary Leviathan, surely one of the most enthralling and terrifying films of the year. Ostensibly about the commercial fishing industry, the directors utilize mini-waterproof cameras to gain access to various locations and points of view on board a fishing vessel. While there are certain precedents for this kind of “observational” filmmaking, Leviathan is truly something no one has seen or heard before.
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