by Brandon Colvin Of all the greatest “color” films – those cinematographically-immaculate demonstrations of chromatic control – one stands ...

by Samuel B. Prime “What I used to able to pass off as a bad summer could now potentially turn into a bad life.” In our formative years, we ...

As the dominant element of the film’s cinematography, mise-en-scène, and editing structure, the brilliant use of red in Ingmar Bergman’s Cri...

Right out of the gate, Federico Fellini’s cinematic milestone, 8 ½ (1963), displays its surreal, tragicomic analysis of the dichotomy betwe...

Stanley Kubrick’s immensely influential and deservedly canonized science-fiction masterpiece, 2001: A Space Odyssey (1968), is a film obses...

Alain Resnais’ iconoclastic, internationally acclaimed film, Last Year at Marienbad (1961), introduced a brand new conception of time, spati...