by Brandon Colvin Michael Haneke’s cinema is one of elision and obfuscation. From The Seventh Continent (1989) to Caché (2005), the Austri...

As is the custom at the end of every year, we take a final look back at the year of movies in 2009. Of course, many of the best movies ...

by Brandon Colvin When I stated that Haneke’s The White Ribbon was the best film of the festival, I wasn’t being precise: it’s also the bes...

So, I don't usually do posts like this, but I was researching a movie today that I'm supposed to be writing on soon for Film For The...

I was joking around with some people from work yesterday about how every director's first feature film is always there best. (This was s...